are rokinon cine lenses good

I also believe it’s a T2.2 lens, so it’s probably not what you’re looking for. Great timing for me, too, as I am just about to buy some Rokinons for my BMCC 2.5k EF. Related question I would love to get your opinion on: Rokinon 10 and 16, or Tokina 11-16? – Rokinon Cine Bundle (24,35,50 and 85mm) for Micro 4/3: $1,799.00 (C) 2020 - Creative Rebellion, Inc. All Rights Reserved. The 24mm, 35mm, 50mm, and 85mm cover all of the major focal ranges that you will need for 95% of your work (if not more). Synonymous with unparalleled quality, performance, and value, it’s no wonder the Rokinon brand is … Dear Noam, I currently own the 24, 35 and 85mm lenses for nikon. No problem at all! What lenses are get a similar look to the Rokinon’s? – 28mm T/2.2 Hey Noam! But for now, I just keep a 72mm – 77mm step up ring on the 85mm lens at all times which more or less solves that problem. That said, if you definitely want to use native lenses, I think the Olympus might be your best bet… Especially if you don’t need the extra cinema functionality. But I’m a run and gun shooter, is that a camera that can be used on a Ronin or Glidecam? I love the lenses, but the 24mm being very soft (blooming might be a better word) I don’t really like using this lens. Here is the same lens stopped down to F5.6: Naturally each lens with yield slightly different results at different apertures, but generally I find that once you’re stopped down to T3.5 or below you’ll start to see this octagon shape on all of the lenses. Curious to hear your thoughts. A little late to the GH4 party…but I’m buying a GH4 this week with a speedbooster. Take a look at the same four shots, now blown up to 300%: Looking at the shots this closely makes it quite apparent that the 24mm is definitely the softest of the bunch, at least wide open. Image quality wise, I’ll say the Sigma has an edge and looks sharper and cleaner overall. Hi Noam, Please am new in filmmaking and want to no more about camera lens. I want a classic cinema look and when I mean classic, I mean 1940’s – 1980’s preferably the 1950’s. a) With SB XL: 14-38.5mm f/1.8 I did have now researched better and here are the facts I have gatered, with two main lenses plus the new Metabones Speedbooster XL 0.64x, 1.3x crop (SB XL) and Metabones Normal adapter 2.0x (MNA): 1. Whether you’re a landscape photographer, a nightscape photographer, or an in-your-face portrait or action sports photographer, you might be in the market for an ultra-wide prime lens.Rokinon now has three 14mm lenses on the market. (however, the ZF.2 50mm f/1.4 is their cheapest and weakest lens in their set. With a crop factor 1.6 this makes the 35mm as near 50mm and 24mm near 35mm which both mark near human eyes vision. So if the lens does not perform well for still-photo work, it won't be any better when housed in a geared cine mount. Rokinon Lenses. Canon Nikon Tamron Olympus Sigma. Now I’m thinking, for tighter spaces, to go for the 16 mm vdslr. I come from a video background from waaaay back in the day and was retired until I recently got the bug and bought a Blackmagic 4k Mini. I think both Cine and DS are capable of great images under the right conditions. The lens kit looks awesome, I am a GH4, Speedbooster, Sigma 18-35 f1.8 user, and I’m looking for a better depth of field(even though the speedbooster brings it down to an f1.2), but I also need a good wide angle lens, as I do a lot of shooting for DJ’s and their stages. Rokinon (16mm) 32mm T/2.2 The speed booster will give you the faster aperture/wider angle, but if you don’t mind the crop factor you can also pick up a non-speed booster EF to MFT adapter. I know that comparing a zoom lens vs. a prime lens is not quite fair or appropriate, but this is what we can do with our budget. Great resource as always, Noam! He does […]. Why exactly? Technically Rokinon does offer their lenses in PL, but they're rebranded as XEEN lenses instead of Rokinon lenses and they cost a lot more money. just wondering whether i’d really need both a 24 & 35 mm lens in my kit. Your other option (in the Rokinon cine family) is the 14mm, but as I stated earlier that has a T stop of 3.1 and I find it to be very distorted as well. I really enjoyed your review. Filmmaker Noam Kroll has an excellent overview on these 4 lenses, along with thoughts on some others as well. Definitely worth taking into consideration for full frame shooters. 12mm for wide shot, 35mm for closeup! 11-16mm + normal adapter = 19-27mm List of Rokinon Lenses. Do you know this? I believe their 14mm will cover full frame though…. If you’re interested in buying all 4 lenses, I would recommend getting the T1.5 bundle through B & H to save some $350: Rokinon T1.5 4 Lens Cinema Kit – $1996.00 at B & H. Also – be sure to follow me on Twitter and Instagram for more updates! I’ve been looking into these lenses for quite some time. Can’t really seem to find the difference, other than that the CS II is about €120,00 more expensive. That’s what we aim to investigate and share with you in these Rokinon/Samyang lens reviews. That said, for the purpose of this test and review I really wanted to test the lenses wide open as that is where they will perform at their worst, and where the biggest difference in sharpness can be seen. Since you already have EF glass, if you keep buying more EF lenses you can not only use them with your Speed Booster but also can use them on any full frame cameras that you might get in the future…, Hi Noam, here are my two cents. New Rokinon Lenses For more than 40 years, Rokinon camera lenses and optics have been revered as one of the most innovative product lines on the market. It sounds like a full frame camera with great low light capabilities is what you need, so perhaps something like the 5D MK IV might be a good option for you… I love the URSA Mini, but it’s not a low light camera and wouldn’t suggest it for your needs. I have a Panasonic af100 with a Sigma 24-70 for Nikon. Hi, I own a BMCC and i’m thinking of going for the Rokinon Full Cine 5 Lens Kit. Tokina 11-16mm FF f/2.8 (APS-C = 16.5-24mm) 14-30.7mm f/1.8 $479.00 using a T2.2 one with other T1.5 ones won’t produce optimal/consistent results? The bokeh that you’ll get with the Rokinon’s is more or less what you might expect from lenses at this price point. a) 35mm + speedbooster = 25mm + ETC = 50mm […] Are Better Than F-Stops), and are a fraction of a cost of other cinema lenses on the market. Cine lenses to be fairly low contrast which can be a good thing depending on how you look at it. That will help you narrow down your choices. Thanks for being such a great GH4 resource. Hey Kyle – I haven’t used that exact setup before, but if I had to guess you would probably be at a T1.2, or maybe even a bit faster. The reality is that each lens is different. Haven’t watched it i, Another quick BTS shot (and final) from our featur, Half the battle in succeeding as a creative is ign, Final shot and its simple setup for one of the las, Best Rokinon/Samyang Lenses, According to Pros, https://shop.equiprent.de/Samyang-50mm-t1-5-VDSLR-Objektiv-mit-Mod-0-8-Nikon-F-FX-DX, Why The New Kipon EF to MFT Adapter Could Be Essential Even If You Already Have A SpeedBooster, Behind The Scenes: Shooting A Mood Film On No Budget With The Arri Amira. hI I HAVE A QUESTION IS THERE ANY ADAPTER TO USE E MOUNT INTO A CANON 60 D OR CANON MARK 5 III, Hi Jaime. So without further ado, let’s jump into the review. Posted by. That said, they could still definitely work for your needs – I would try them out for yourself and see what you think! – The Rokinons are pricier but wins in the long focal of 170mm Premium articles, filmmaking tools and access to giveaways all available FREE by signing up for my newsletter below. I actually meant the original BMPCC with the Super 16mm sensor! The bigger difference between all of these lenses is the color accuracy. I am very new to filmmaking so please bear this in mind. I’m interested in cine lens but I’m not sure where to go from here and it would be great to get some advice from experts. Key features: 85mm focal length for full-frame format The 24mm definitely is the softest and has the most room for improvement (especially because of the difference in color and contrast), but it is still a very usable lens and I wouldn’t hesitate to use it wide open. Sorry Noam, the info is not accurate, please delete these here and the above post and I wll be resposting it.. Samyang/Rokinon apart, do you think it can help to achieve the “movie look” or is it better to remain with more narrow lenses such as 27, 40/50, 70 in Super 35? Just curious, Hey Austin! The DS versions are certainly improved, but the difference isn’t night and day in my opinion. – Rokinon Cine (8mm) 16mm T3.8 $299.00 d) 50mm + normal adapter = 100 mm + ETC = 240mm One last question – in your opinion, without getting a fish eye look, would you recommend the 24mm or 16mm for a cinematic, wide angle feel? If you are just starting out and don’t have any Rokinon lenses, I highly recommend starting with the four lenses I have reviewed here. Generally I find the Rokinon Cine lenses to be fairly low contrast which can be a good thing depending on how you look at it. If you’re looking for a more telephoto lens, the Rokinon Cine 85mm is a great choice. Rokinon has truly done a great job of offering budget friendly cinema lenses to the masses. Hey Juan! I read your article about the 28mm and was wondering out of the four lenses in this article, which one you’d choose for the classic look. I found the Rokinon XEEN Cine Lenses to be well made, easy to work with and, overall, I enjoyed the image quality. 11-16mm + speedbooster = 8-12mm Popular Brands. At $550, it’s not a bad price, and the fact that it’s de-clicked and includes built-in gears for both focus and aperture is huge. Also if I invested in these lens I could possibly use them for a full frame camera in the future, so my next question to you is, what would you say for a good full frame camera? I have a question that I’m sure you can solve it. Hey Simon! In terms of a wide angle, I personally think 24 is plenty wide on a FF camera. /Jan. Buying lenses is almost an addiction and I have plenty of company with this issue ,so to all my fellow addicts lets see how much quality we get from a $349 cine lens from Rokinon. Interested in finding out the best lenses from Rokinon/Samyang? Personally, on a real world shoot I have never had an issue with sharpness on any of the Rokinon’s that I’ve used, but at the same time I have noticed that wide open they will be slightly softer, just like almost any other lens. As with any camera brand, those from Rokinon/Samyang usually have to compromise on something, be it weight, build quality, or price point. If you don’t want to invest in all four right away, the two most useful focal lengths would be 24mm and 50mm in my opinion. – Rokinon Cine (16mm) 32mm T2.2 $399.00 Both choices are great and you really can’t go wrong… I think it just comes down to the way you like to work best. Have you looked any EF lenses from Canon? 2 years ago. Yes! Using the speedbooster: 35mm = 25mm / 50mm = 35 mm Because if you put (for instance) a Samyang 24mm (photo lens) over the Amira, it would be like a 36mm (more or less) due to the crop factor, but if these Rokinon cinema lenses are just for the Super 35mm format, that 24mm would be just that a 24mm and you couldn’t use it on a A7s because it wouldn’t cover all the sensor. Unlike Rokinon lenses which are housed in plastic, the Veydras are all metal and feel just as well built as cinema lenses many times their price. Hey Grant – Not a problem at all, and thanks for the comment. Is that ok? The other lens in my bag is a Panasonic G X Vario 12-35mm, but I would like a manual film lens. It boosts the Canon 50mm 1.8 to F1.3. Otherwise the 24mm is a great option (even the cheaper, non-DS version), and will look great once you’re at 2.8 or below. Compare at $299, that’s a 23% discount. Some of the Rokinon’s are definitely softer than others at maximum aperture (we’ll look at that below), but once again I can’t stress enough that these are not soft lenses. For my larger budget projects I tend to rent lenses additional lenses anyways…. I am new to cinematography and I own a canon 7d camera. We shoot mainly documentaries and corporate videos but we’re thinking of shooting short films -and why not? – 50mm T/1.2 Since Rokinon/Samyang haven't released a telephoto Cine just yet, this is also part of my "go-to" kit. You had the A7sII, but that isn’t shooting 60fps at 4K, and its still a 3000 body, but it does shoot LOG, but Ive heard the pictures look average as well. The 135mm is another excellent lens that you might want to consider if you are shooting a lot of long lens material. b) With MNA: 22-40mm f/2.8. I may have missed it and maybe I’m totally overlooking something, but has anyone commented on the fact that the 16mm Rokinon isn’t a full-frame lens like the other three lenses in the kit, and therefor the crop factor turns it into a 24mm on a full-frame sensor? If low-light is your main issue, you might be best served by something from Canon or Sony. Always great to have alternate options when it comes to lenses and I’m sure this will help some readers. I shoot mainly with Super 35/APS-C sensors, which is maybe why this didn’t come up, but thanks for the note. Hope this makes sense! The Rokinon/Samyang lenses are in fact full frame lenses so they will definitely work on a Sony A7S. Good question… I haven’t tried to match them with many other lenses, but generally speaking Canon glass isn’t too far off. Wide open, the lenses produce a soft circular bokeh pattern as you can see in this shot below (taken on the 85mm at T1.5): Once you close the lenses down a bit however, you start to see more of an octagon shape. Hey John! As far as the Rokinon vs. Sigma – they are very different lenses. The Rokinon Cine primes continued to prove their worth on set in tight spaces, harsh environments, light-weight drones, and ultra portable gimbal rigs. Anytime, Simone! If you do want to go with primes though, I would consisted the Rokinon/Samyang lenses as well as the Veydra mini primes. Once you’re at about 2.8 it seems to be much sharper, but it can be problematic when you are at T1.5. For each of our reviews, we thoroughly test each lens and highlight its compromises, its advantages, and who it’s best suited for. This short film was shot on the Rokinon’s – https://vimeo.com/88851627, You said at the end of the article that, “…unless you are using a camera with an extremely small sensor (like the Blackmagic Pocket Camera), these 4 will make for an excellent cinema kit.”. u/liam4st. To my eye, the most contrasty lens in the 50mm. The Rokinon Cine primes became the most affordable cinema lenses on the market with a range of mounts including Canon EF, Nikon F, Micro 4/3, and eventually Sony E mount as well. Hi Noam! Thanks, Noam. 11-16mm + speedbooster = 8-12mm The MFT Rokinon’s are great lenses, but personally I try to buy non MFT glass whenever possible so I have the ability to use the lenses on EF cameras as well. 50mm $549.00 Congrats on the Blackmagic, Jeff! Throughout this review I’ll be referencing the 4 most essential Rokinon Cinema lenses: 24mm, 35mm, 50mm, 85mm. Pricing and Availability for the Canon EF. Of course! What would be your advise? 36-70mm (Normal adapter) f1.8 Awesome to hear, Sam! From the de-clicked iris to the geared focus/iris rings,  these lenses feel like they were designed with professional shooters in mind. Great points here. I will definitely buy a 3 point lighting kit after realising how cheap you can get them! Thank you very much! Pricing and Availability for the Sony E-Mount. I’m thinking of buying the 35mm Cine lens for my canon 600D, and that shouldn’t be a problem. One of the main reasons I opted to buy into the Rokinon Cinema line was the speed of their lenses. – 35mm T/1.2 Rokinon (50mm) 100mm T/1.5 ROKINON CINE LENS FEATURES • Calibration in T-stops • Tight color matching • Silky smooth long focus throws for precise focus control • Non-rotating front designs facilitates easy use of filters, polarizers, and hoods Thanks for the note. I was aiming to add the 24MM or the 35MM to my kit, which will yield a 50MM/70MM look. Mine has lon, THERE WILL BE BLOOD (2007). I have a BMPCC coming (mft mount) and was planning on purchasing the mft rokinon lens kit to go with the camera. In terms of filmmaking you have written about 28mm too. Keep in mind that this was a still photo and I still had to blow it up to make the CA noticeable.

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