rehoused cine lenses

eval(ez_write_tag([[336,280],'4kshooters_net-large-leaderboard-2','ezslot_2',146,'0','0']));They’re not overly sharp, have a nice graduated depth of field, offer the classic anamorphic bokeh with eye popping blue streak flares. From follow focus gears, PL and EF mounts and expanded focus distance markings, both metric and imperial.As buying new lenses can be incredibly expensive, especially when we’re talking about quality cine lenses, these guys made a business out of rehousing the lenses for filmmakers, making them a lot more reliable, and even improving the quality. Get Instant Access! This time, we’re talking about a lens rehousing company, called Iron Glass. Today PrimeCircle announced the making of a “Silver Series” especially crafted for the Blackmagic Production Camera. Their mission? Both the aperture and focus rings have been built with industry-standard 0.8 mod pitch gears for pairing up with follow-focus motors. A rehoused cinema lens is a photo lens that’s been rebuilt and optimized for use with video cameras, but the inner workings of the lens itself are largely the same. We are committed to develop a versatile, all-in-one zoom lens with a blend of vintage & modern characters where cinematographers can own one for different kinds of productions. They’re designed to be as sharp as possible, and easy for assistants to work with thanks to their consistency across the range. This new series is slightly different from the existing APS-C coverage lenses they already make. They’re available in a large set of focal lens with a consistent 110m front diameter. You can find much cheaper solution at IronGlass. Launched in the 1970s & 1980s and based on the designed of their FD lenses, which many independent shooter today adapt to their Canon EF cameras for a cool vintage look, these lenses are rare and hard to find. Leica R rehoused lenses can sometime vary widely in quality, and over the past decades no fewer than 5 companies have rehoused Leica R lenses. The extending front barrel means that only clip-on matte boxes will work, and if they’re clipped on too tightly it might prevent the lens from focusing. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. Clean the lens Buying several sets of lenses to get the needed one or purchasing them separately can be expensive. by Tim Fok November 4 th, 2019. Many budget lenses mark somewhere … However, we managed to gather up some of the best from... For the coolest videos, you need to best whoosh and transition sound effects. We also stock one of the largest selection of vintage cinema primes. No Breathing? If you take a look at the Iron Glass online store, you’ll see that any lens they have on that page can be customised according to your needs. Please note, comments must be approved before they are published, Rehoused Soviet Vintage Lenses Built For Cinema. I’ve wanted to use a particular lens for years now; a Noctilux, which is an old Leica still lens rehoused for cinema cameras. Check out our lens test video here . For example, I leave you 2 pictures of the same lens, a Sigma 18-35mm f1.8/t2.0. Helios 44-2 58mm F2 is a legendary lens, but it just got even better! They were really great looking lenses, sharp, interesting renderings, great color matching, great close focus, optically sound (they projected really flat with little distortion in the wider lenses) and very little if any breathing. After using a lens for many years, you may notice a lot of small dust particles in the wrong places. The best part is that the lens won’t lose its quality, but it may even be improved. These lenses are intended for rental houses, and for people like you and I to rent for specific projects that would benefit from their customized characteristics. They feature a high contrast, which is good for modern digital sensors, and reduced flares. In Depth Cine gave us this fantastic overview of the top pro cinema lenses in use today with a bit of their history and an explanation of why they’re so sought after. For this, they offer two options. They offer great ergonomics with a smooth focus pull, 114mm Front Diameter, and well-spaced distance markings. You might now be familiar with our Helios 44-2 VLFV Cine Edition rehoused lens, which has proven to be incredibly popular with professional vintage lens users. 4. (Watch our in-depth video story on their project which we shot at NAB last year). Rehousing is available for Summilux-R and most Elmarit-R lenses. Well, there are many reasons why you may want to rehouse a lens. A wide prime that complements an original Baltar set, it became Orson Welles' favorite lens and was used, almost exclusively, on "Touch of Evil." When using wider focal lengths there is a significant amount of distortion, but even with that bending, the look it produces is very cool. So getting a better durability case is ideal for professionals. This P+S rehousing transforms full frame Leica-R still photography lenses into fully functional cine lenses. Build in partnership with Arri and Zeiss in 2005, these 16 prime lenses come in a range of 12-150mm with a consistent T/1.3 aperture with a standardized 114m front diameter. The surprise lenses were the Cine-Xenar III. The Cine Helios 44-2 VLFV is a new lens from Iron Glass that rehouses the cult classic 58mm Helios swirly-bokeh vintage lens. Unlike rehoused cinema zoom lenses in the market with serious focus breathing, this lens was designed for cinematography in the first place and the breathing is control to the minimal in its class. When the DP is looking to counteract the distortion of film or for capturing the maximum clarity with a digital sensor, this is where they turn. Mission: Our main goal with was to bring out the best in this lens but addressing the mechanical quirks and limitations of the … Most Popular Cine Lenses – the Ultimate Overview, How to Export 4K Video for YouTube in Premiere Pro CC, Sony ZV-1’s Latest Firmware v2.0 Enables Live Streaming via USB, More In-Depth Look at the Recently Added C-Log Gamma Profile on the Canon 5D Mark IV, Free Seamless Transitions Pack for Resolve 17, Dirt Cheap Bluetooth Focus Remote Controller for the Pocket 6K Pro, Atomos to Enable Ninja V ProRes RAW Recording for the Sony FX3. The Zeiss Super Speeds have been around for decades and are a popular choice for productions with their small bodies, lightweight design, and super fast T1.3 apertures. The 35mm T2.1 consists of 14 Elements in 9 Groups. From time to time, something incredible catches our eye. I do!You can get one lens, or choose a set made after your preferences. I’m not sure about their coverage for FF. Cinema lenses from companies like Zeiss, Panavision, and Cooke don’t get as much attention online as the affordable stills and modified/rehoused cinema glass that many of us use from companies like Rokinon-Xeen, or Meike. K35s are great for handheld, gimbal, or drone work and cover a full frame sensor with a sharp and lower contrast projection. Designed in conjunction with DPs inspired by old Hasselblad lenses with the ability to cover large format digital sensors like the sensor in the Arri 65, these very fast lenses were released in 2016 with stops ranging from T1.6 to T2.8. The True Lens Services rehousing is the most preferred as it offers a user-friendly, standardized, smooth focus motion. MIR-1V. The customer can sell the existing glass for market value and have the price discounted with a brand new set of lenses supplied. insta: @robbiefattCOOKE SPEED PANCHROSThe average price for a cinema camera lens is over $10000 US Dollars, and that’s for one lens. Now these lenses are rehoused to work with PL mount cameras, and the quality of that rehousing varies across the globe. The lenses are incredibly compact and lightweight considering all the glass elements require to produce an anamorphic image, making them the clear choice for projects requiring steadicam or handheld shots. Old Fast Glass is a Los Angeles based camera rental house. Besides, they can also add a lot of modifications, such as the anamorphic addition and more aperture blades. Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. Is it actually a cine lens or just a rehoused stills lens? Unlike rehoused cinema zoom lenses in the market with serious focus breathing, our lens was designed for cinematography in the first place and the breathing is control to the minimal in its class. We have a 4400 square foot facility complete with several spacious prep bays, with a friendly staff ready to help you select the right gear for your shoot, as well as assist you with your camera prep. Instead, they’re intended to be rented through rental houses that maintain them for decades. It’s not something you can avoid and if you need flawless footage, you may need to either change the lens completely or send it to these guys to get it cleaned and running. The new housing provides Cam Drive focus systems and enhanced Iris options. According to MEIKE, this is a purpose-built cine design and not a rehoused stills lens. As I have already mentioned, the 35mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. Exchange mounts are available. Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! Animated animations have become a very useful part of an editor's effects library. They’re very modern and easy to work with on set, and for VFX work they feature the ability to relay focal length and focus distance information. Known for their increased contrast, minimal aberrations, healthy skin tones, warmth, consistency, and sharpness, these lenses are literally everywhere and their quality is hard to beat. Unlike rehoused cinema zoom lenses in the market with serious focus breathing, our lens was designed for cinematography in the first place and the breathing is thereby controlled to the minimal in its class. Still rehoused lenses often suffer from having a majority of its focus range compressed into a 1/8th of a turn. The Canon K35 are very similar to super speeds with a compact, lightweight body, and a consistent T/1.4 aperture. They were really pretty. Created in the late 1990s, the Cooke S4 lenses are widely used in Hollywood films, and feature that classic hexagon (stop sign) bokeh that we all know so well. Adaptation of still lenses, in case you may want to use your classic photo lens for filmmaking, but it’s not exactly cine friendly. Most of us have never seen these lenses in person, but having lenses that are specifically crafted for professional filmmaking that are ergonomically made and easy to work with while on a team is paramount to a high-end film crew. The composition will remain the same when … Pegasus is offering rehoused Nikkor 24-70mm f/2.8 cinema lenses ; Nikkor NOCT 58mm f/1.2 CF cinema lens by Zero Optik ; Meyer Optik Görlitz lenses for Nikon F-mount ; Rokinon launches Xeen line of cinema lenses for Nikon F mount ; New third party lenses for Nikon F mount (Laowa, Lensbaby, Yongnuo, Meyer-Optik Görlitz, Zenitar, Lomography) This lens simulates the look of the first Petzval lens from 1840, yet updated with modern cine-housings by TLS. Like the Cooke S4, these lenses record metadata and are great for VFX work. There is a slight Distortion in wider focal lengths like 24mm but this lens features a versatile zoom range, solid build quality, and consistent optical design that makes it a favorite in Hollywood. Helios is a lens brand from the Soviet Union era, affectionately naming all their lenses with a simple model number. Those lenses are rehoused version of their photo twins. It’s a good single lens for productions wanting to save money, and make reframing shots a breeze. The 44-2 has become a very popular lens in the vintage market, known for it’s swirly-bokeh backgrounds. the Leica R rehoused lenses are solely exclusive to Cinescope Optics. Hard end stops protecting focus and iris mechanics. CHOOSE ANY 4 PRODUCTS AND ONLY PAY FOR 2 - AUTOMATIC DISCOUNT. We have opened up part of our Bounce Color library for all editors to improve their films. We are very excited to announce the addition of Mir-10A 28mm F3.5, Mir-1B 37mm F2.8 and Jupiter-9 85mm F2 lenses to this line up. But it is full of glass, super heavy, can’t be used handheld, and isn’t suitable to smaller bodied cameras. The new housing includes new internal mechanics for focus and iris and standard PL mount. Optical Structure. The main drawback of these lenses is the they pre-date the use of clip on matte boxes and all of the front diameters differ in size, meaning each lens changes requires a new clamp which drastically slows down lens changes. The best way to understand the differences between the three types of lenses is to get to grips with them. The offer perfect sharpness, neutral color, great skin tones, amazing focus falloff, and dreamy bokeh. Compatible with a full-frame image sensors, the FF Zoom Line offers the outstanding optical performance required for high-resolution shooting in 6K-8K. Cinematic sound effects are what makes the world spin — of course, dramatically put. The standards that have been developed over the years and have guided the training of the world’s greatest operators and assistants. Besides, they can also add a lot of modifications, such as the anamorphic addition and more aperture blades. We offer high-end cinema cameras, cinema lenses, and a huge selection of professional camera accessories. 6708 NE 181st St. PO Box 82467 Kenmore, WA 98028 1-888-485-7447 sales@kcamera.com Focus scale remains accurate throughout the zoom range. If you’re currently filming with DSLR lenses or affordable glass, don’t go thinking you’ve got to sell your car to pick up ONE of these. Making vintage more reliable and accessible in today’s industry. The lens also has 11 aperture blades. eval(ez_write_tag([[250,250],'4kshooters_net-leader-1','ezslot_8',147,'0','0'])); Vantage, the German-based company, has been making these stellar modern anamorphic lenses since 2001. eval(ez_write_tag([[250,250],'4kshooters_net-large-mobile-banner-1','ezslot_7',148,'0','0']));Specifically designed to have no shift in T-stop while focusing, these 8 anamorphic focal lengths are lightweight and consistent with increased definition, increased contrast, and feature an accurate, nicely spaced focus scale which makes then very easy to work with on set. The aperture ring is now click-less for smooth iris control. A true cinema lens is purpose-built for video. That’s because high-end cinema glass, with price tags higher than most houses, aren’t intended to be purchased by individual camera operators. This lens is ideal for the latest digital cine cameras. However, they are some of the most engaging effects for a film. From time to time, something incredible catches our eye. Welcome the new Helios 44-2 VLFV Cine Edition, proficiently rehoused by IronGlass! The Zeiss CP2s are, after all, rehoused Zeiss ZF still lenses for three times the price, and while there's a rumor that CP2 Mark II lenses are on their way, in the meantime one of the best budget options is Duclos Lenses' Cine-Mod. Rehousing is when you take a still photography lens (or any particular lens, can be a projection lens or a particular old cine lens), and you use the glass of it in a Cine Lens housing. Equipped with a standard PL mount, also interchangeable mounts are available. Designed and released in 2001, this workhorse zoom features incredibly high magnification, and a fixed T/2.8 aperture. + Petzval 58mm T2.1 PL TLS-Rehoused If it’s too expensive to buy another one, these guys can easily fix it, and you’ll have a better lens when it’s done. eval(ez_write_tag([[250,250],'4kshooters_net-box-4','ezslot_6',144,'0','0'])); They comes in a standard set of 18mm, 25mm, 35mm, 50mm, 85mm with all of the lenses featuring a 80mm front diameter for super fast lenses changes; however, they’re not without their flaws. The P+S rehousing transforms full frame Canon FD stills lenses into fully functional cine lenses. From Leica, Cooke, Zeiss, and Canon, we carry some of the finest motion picture prime lenses in Ohio and the Midwest. These lenses are smaller than modern cinema glass, and often don’t cover bigger digital sensors. Well, there are many reasons why you may want to rehouse a lens. Your composition will remain the same when changing the focus. All stated, it is very sharp, but not nearly has sharp as modern primes. The Cine-Mod is a modification to the Zeiss ZF still lenses, which is exactly what these new CineMatics are. Perhaps the most famous Leica R rehouse project was known as the "Dalsa Cinema Primes," focal lengths of the Dalsa primes ranged from 19mm to 180mm, and only 11 complete sets were ever built. You wouldn't want it to fall apart while on a professional shoot. Lenses can get broken too, especially if it has been dropped and damaged. Photo lenses aren’t made for Filmmaking, but with a couple of 'simple' changes, these guys will turn a still lens, into a cine lens with focus rings built for focus pulling. To put it simply, lens rehousing is either modifying an old cine lens to meet new standards or adapting a still lens for cinema use. We even try to help all our Cinescope customers by possible glass trade ins. The rehousing adds sturdiness and ergonomics. Some lenses can get warped out of shape or even get broken focus rings. eval(ez_write_tag([[336,280],'4kshooters_net-box-3','ezslot_5',143,'0','0']));Cinema lenses from companies like Zeiss, Panavision, and Cooke don’t get as much attention online as the affordable stills and modified/rehoused cinema glass that many of us use from companies like Rokinon-Xeen, or Meike. Produced by Cooke since 1920 in England, these spherical 7 prime lenses revolutionized the industry with their T/2 aperture – in a time when lenses were far slower. Lenses are one of those safe bets thanks to the practice of rehousing optics which have been around for decades. Modification of cine lenses, meaning taking an old lens and getting it through the rehousing process in order to bring it up to nowadays standards.2. The best part is that through the lens customiser, you can get a set of up to eight custom lenses, so you’re always prepared for shooting.As for compatibility, in the accessories tab on their website, you will find adaptors for pretty much every system, from EF to PL, and ending up with the Ukrainian and Soviet mounts, as well as lens caps, adapter filter rings, and hard cases for any lens.Iron Glass is definitely worth checking out, especially if you’re a big fan of vintage lenses! Making vintage more reliable and accessible in today’s industry.Instead of the classic and unreliable features, these guys completely changed everything. Their subtle sharp, low contrast, milky characteristics with neutral cool color rendition and flares that fill the lenses up with color make them the perfect choice for DPs looking for a lens to form the basis of the color pallet of their films. It's a practical way to breathe new life into a lens that's been sitting on the shelf. While not as well spaced as the Angeniuex 24-290, the longer Sigmas at least give you a 150′ mark. Photo lenses aren’t made for Filmmaking, but with a couple of 'simple' changes, these guys will turn a still lens, into a cine lens with focus rings built for focus pulling. Maintaining sharpness cross the frame, these lenses have absolutely no focus breathing or aberrations. This time, we’re talking about a lens rehousing company, called Iron Glass. Some vintage lenses can get old and weak. The OOOM 25-100mm T2.9 Cine Arri PL/Canon EF/Sony FE is the first cinema zoom lens from Laowa. Iron Glass are doing wonders in the world of lenses and cinema. Their mission? PrimeCircle is an italian company that rehouses Zeiss photo lenses to make them more cinema capable at a price lower than real cinema lenses. New housing with cam-controlled focus mechanic. Don't you think it's pretty cool customising your own lenses? Three series of these lenses were produced SI, SII, SIII until Cooke stopped making these lenses in the 1960s. Panavision C-Serieseval(ez_write_tag([[250,250],'4kshooters_net-banner-1','ezslot_0',145,'0','0'])); Originally released in 1968, the Panavision C-Series is an anamorphic set of lenses that are a favorite among DPs looking for a classic film look. Laowa 7.5mm T2.1 Cine Rehoused photo lens: Click-less and enhanced build. You can make any... Finding the perfect premiere pro transitions is a hard job, and good free transitions are even harder to find. 1. Let’s check it out! Canon K35, Canon CN-E, Zeiss Super Speeds, Cooke S4, Zeiss CP.2, Leica Summilux, Zeiss Standard Speeds. You can customize your own lens set with needed types of mount like m4/3, EF, PL and sony E. You can also choose lens focal length, body-color, and modifications. These lenses are professional, standardized tools that have specific purposes in their construction, deliver consistent looks, and offer the best ergonomics for getting the job done the right way. They were never intended for you to purchase, and you probably wouldn’t make your money back in your investment. Meet the Angenieux 18.5mm Type R2, Angenieux's first 35mm cinema lens, introduced in 1951, and predating Cooke's 18mm by two years. Modern Cinema Lenses. Change it's mount, body-color, and add the type of modification you want. Your composition will remain the same when changing the focus. Super high-speed Canon FD lenses for Full Frame.

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