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Besides, they can also add a lot of modifications, such as the anamorphic addition and more aperture blades. Adaptation of still lenses, in case you may want to use your classic photo lens for filmmaking, but it’s not exactly cine friendly. The standards that have been developed over the years and have guided the training of the world’s greatest operators and assistants. the Leica R rehoused lenses are solely exclusive to Cinescope Optics. We are committed to develop a versatile, all-in-one zoom lens with a blend of vintage & modern characters where cinematographers can own one for different kinds of productions. Photo lenses aren’t made for Filmmaking, but with a couple of 'simple' changes, these guys will turn a still lens, into a cine lens with focus rings built for focus pulling. Most of us have never seen these lenses in person, but having lenses that are specifically crafted for professional filmmaking that are ergonomically made and easy to work with while on a team is paramount to a high-end film crew. For this, they offer two options. Unlike rehoused cinema zoom lenses in the market with serious focus breathing, our lens was designed for cinematography in the first place and the breathing is control to the minimal in its class. If you’re currently filming with DSLR lenses or affordable glass, don’t go thinking you’ve got to sell your car to pick up ONE of these. Rehousing is when you take a still photography lens (or any particular lens, can be a projection lens or a particular old cine lens), and you use the glass of it in a Cine Lens housing. The Zeiss Super Speeds have been around for decades and are a popular choice for productions with their small bodies, lightweight design, and super fast T1.3 apertures. Helios is a lens brand from the Soviet Union era, affectionately naming all their lenses with a simple model number. This lens simulates the look of the first Petzval lens from 1840, yet updated with modern cine-housings by TLS. Now these lenses are rehoused to work with PL mount cameras, and the quality of that rehousing varies across the globe. The best way to understand the differences between the three types of lenses is to get to grips with them. Canon K35, Canon CN-E, Zeiss Super Speeds, Cooke S4, Zeiss CP.2, Leica Summilux, Zeiss Standard Speeds. Exchange mounts are available. Three series of these lenses were produced SI, SII, SIII until Cooke stopped making these lenses in the 1960s. These lenses are smaller than modern cinema glass, and often don’t cover bigger digital sensors. Making vintage more reliable and accessible in today’s industry. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. Launched in the 1970s & 1980s and based on the designed of their FD lenses, which many independent shooter today adapt to their Canon EF cameras for a cool vintage look, these lenses are rare and hard to find. When using wider focal lengths there is a significant amount of distortion, but even with that bending, the look it produces is very cool. The new housing includes new internal mechanics for focus and iris and standard PL mount. They were really pretty. I’ve wanted to use a particular lens for years now; a Noctilux, which is an old Leica still lens rehoused for cinema cameras. Today PrimeCircle announced the making of a “Silver Series” especially crafted for the Blackmagic Production Camera. Leica R rehoused lenses can sometime vary widely in quality, and over the past decades no fewer than 5 companies have rehoused Leica R lenses. If it’s too expensive to buy another one, these guys can easily fix it, and you’ll have a better lens when it’s done. We also stock one of the largest selection of vintage cinema primes. The 44-2 has become a very popular lens in the vintage market, known for it’s swirly-bokeh backgrounds. Created in the late 1990s, the Cooke S4 lenses are widely used in Hollywood films, and feature that classic hexagon (stop sign) bokeh that we all know so well. Their mission? The best part is that the lens won’t lose its quality, but it may even be improved. Meet the Angenieux 18.5mm Type R2, Angenieux's first 35mm cinema lens, introduced in 1951, and predating Cooke's 18mm by two years. After using a lens for many years, you may notice a lot of small dust particles in the wrong places. No Breathing? From Leica, Cooke, Zeiss, and Canon, we carry some of the finest motion picture prime lenses in Ohio and the Midwest. You can customize your own lens set with needed types of mount like m4/3, EF, PL and sony E. You can also choose lens focal length, body-color, and modifications. Super high-speed Canon FD lenses for Full Frame. Lenses are one of those safe bets thanks to the practice of rehousing optics which have been around for decades. Buying several sets of lenses to get the needed one or purchasing them separately can be expensive. Photo lenses aren’t made for Filmmaking, but with a couple of 'simple' changes, these guys will turn a still lens, into a cine lens with focus rings built for focus pulling. You wouldn't want it to fall apart while on a professional shoot. There is a slight Distortion in wider focal lengths like 24mm but this lens features a versatile zoom range, solid build quality, and consistent optical design that makes it a favorite in Hollywood. The Zeiss CP2s are, after all, rehoused Zeiss ZF still lenses for three times the price, and while there's a rumor that CP2 Mark II lenses are on their way, in the meantime one of the best budget options is Duclos Lenses' Cine-Mod. From time to time, something incredible catches our eye. Some lenses can get warped out of shape or even get broken focus rings. However, they are some of the most engaging effects for a film. by Tim Fok November 4 th, 2019. eval(ez_write_tag([[336,280],'4kshooters_net-large-leaderboard-2','ezslot_2',146,'0','0']));They’re not overly sharp, have a nice graduated depth of field, offer the classic anamorphic bokeh with eye popping blue streak flares. 1. Focus scale remains accurate throughout the zoom range. From follow focus gears, PL and EF mounts and expanded focus distance markings, both metric and imperial.As buying new lenses can be incredibly expensive, especially when we’re talking about quality cine lenses, these guys made a business out of rehousing the lenses for filmmakers, making them a lot more reliable, and even improving the quality. A true cinema lens is purpose-built for video. Many budget lenses mark somewhere … Hard end stops protecting focus and iris mechanics. Helios 44-2 58mm F2 is a legendary lens, but it just got even better! From time to time, something incredible catches our eye. Let’s check it out! Iron Glass are doing wonders in the world of lenses and cinema. In Depth Cine gave us this fantastic overview of the top pro cinema lenses in use today with a bit of their history and an explanation of why they’re so sought after. The offer perfect sharpness, neutral color, great skin tones, amazing focus falloff, and dreamy bokeh. You can make any... Finding the perfect premiere pro transitions is a hard job, and good free transitions are even harder to find. Instead, they’re intended to be rented through rental houses that maintain them for decades. We have opened up part of our Bounce Color library for all editors to improve their films. Cinematic sound effects are what makes the world spin — of course, dramatically put. eval(ez_write_tag([[336,280],'4kshooters_net-box-3','ezslot_5',143,'0','0']));Cinema lenses from companies like Zeiss, Panavision, and Cooke don’t get as much attention online as the affordable stills and modified/rehoused cinema glass that many of us use from companies like Rokinon-Xeen, or Meike. PrimeCircle is an italian company that rehouses Zeiss photo lenses to make them more cinema capable at a price lower than real cinema lenses. All stated, it is very sharp, but not nearly has sharp as modern primes. It's a practical way to breathe new life into a lens that's been sitting on the shelf. Clean the lens Is it actually a cine lens or just a rehoused stills lens? The aperture ring is now click-less for smooth iris control. Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. eval(ez_write_tag([[250,250],'4kshooters_net-leader-1','ezslot_8',147,'0','0'])); Vantage, the German-based company, has been making these stellar modern anamorphic lenses since 2001. eval(ez_write_tag([[250,250],'4kshooters_net-large-mobile-banner-1','ezslot_7',148,'0','0']));Specifically designed to have no shift in T-stop while focusing, these 8 anamorphic focal lengths are lightweight and consistent with increased definition, increased contrast, and feature an accurate, nicely spaced focus scale which makes then very easy to work with on set. Change it's mount, body-color, and add the type of modification you want. Get Instant Access! The surprise lenses were the Cine-Xenar III. So getting a better durability case is ideal for professionals. A rehoused cinema lens is a photo lens that’s been rebuilt and optimized for use with video cameras, but the inner workings of the lens itself are largely the same. Well, there are many reasons why you may want to rehouse a lens. Welcome the new Helios 44-2 VLFV Cine Edition, proficiently rehoused by IronGlass! According to MEIKE, this is a purpose-built cine design and not a rehoused stills lens. New housing with cam-controlled focus mechanic. The 35mm T2.1 consists of 14 Elements in 9 Groups. Please note, comments must be approved before they are published, Rehoused Soviet Vintage Lenses Built For Cinema. These lenses are intended for rental houses, and for people like you and I to rent for specific projects that would benefit from their customized characteristics. You might now be familiar with our Helios 44-2 VLFV Cine Edition rehoused lens, which has proven to be incredibly popular with professional vintage lens users. Modification of cine lenses, meaning taking an old lens and getting it through the rehousing process in order to bring it up to nowadays standards.2. The new housing provides Cam Drive focus systems and enhanced Iris options. We are very excited to announce the addition of Mir-10A 28mm F3.5, Mir-1B 37mm F2.8 and Jupiter-9 85mm F2 lenses to this line up. Still rehoused lenses often suffer from having a majority of its focus range compressed into a 1/8th of a turn. The rehousing adds sturdiness and ergonomics. They’re very modern and easy to work with on set, and for VFX work they feature the ability to relay focal length and focus distance information. They feature a high contrast, which is good for modern digital sensors, and reduced flares. Pegasus is offering rehoused Nikkor 24-70mm f/2.8 cinema lenses ; Nikkor NOCT 58mm f/1.2 CF cinema lens by Zero Optik ; Meyer Optik Görlitz lenses for Nikon F-mount ; Rokinon launches Xeen line of cinema lenses for Nikon F mount ; New third party lenses for Nikon F mount (Laowa, Lensbaby, Yongnuo, Meyer-Optik Görlitz, Zenitar, Lomography) They were never intended for you to purchase, and you probably wouldn’t make your money back in your investment. This time, we’re talking about a lens rehousing company, called Iron Glass. This P+S rehousing transforms full frame Leica-R still photography lenses into fully functional cine lenses. The Canon K35 are very similar to super speeds with a compact, lightweight body, and a consistent T/1.4 aperture. Known for their increased contrast, minimal aberrations, healthy skin tones, warmth, consistency, and sharpness, these lenses are literally everywhere and their quality is hard to beat. Animated animations have become a very useful part of an editor's effects library. I’m not sure about their coverage for FF. Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! They’re designed to be as sharp as possible, and easy for assistants to work with thanks to their consistency across the range. We have a 4400 square foot facility complete with several spacious prep bays, with a friendly staff ready to help you select the right gear for your shoot, as well as assist you with your camera prep. Besides, they can also add a lot of modifications, such as the anamorphic addition and more aperture blades. Laowa 7.5mm T2.1 Cine Rehoused photo lens: Click-less and enhanced build. Designed in conjunction with DPs inspired by old Hasselblad lenses with the ability to cover large format digital sensors like the sensor in the Arri 65, these very fast lenses were released in 2016 with stops ranging from T1.6 to T2.8. CHOOSE ANY 4 PRODUCTS AND ONLY PAY FOR 2 - AUTOMATIC DISCOUNT. If you take a look at the Iron Glass online store, you’ll see that any lens they have on that page can be customised according to your needs. Most Popular Cine Lenses – the Ultimate Overview, How to Export 4K Video for YouTube in Premiere Pro CC, Sony ZV-1’s Latest Firmware v2.0 Enables Live Streaming via USB, More In-Depth Look at the Recently Added C-Log Gamma Profile on the Canon 5D Mark IV, Free Seamless Transitions Pack for Resolve 17, Dirt Cheap Bluetooth Focus Remote Controller for the Pocket 6K Pro, Atomos to Enable Ninja V ProRes RAW Recording for the Sony FX3. Their subtle sharp, low contrast, milky characteristics with neutral cool color rendition and flares that fill the lenses up with color make them the perfect choice for DPs looking for a lens to form the basis of the color pallet of their films. Maintaining sharpness cross the frame, these lenses have absolutely no focus breathing or aberrations. Equipped with a standard PL mount, also interchangeable mounts are available. However, we managed to gather up some of the best from... For the coolest videos, you need to best whoosh and transition sound effects. It’s not something you can avoid and if you need flawless footage, you may need to either change the lens completely or send it to these guys to get it cleaned and running. These lenses are professional, standardized tools that have specific purposes in their construction, deliver consistent looks, and offer the best ergonomics for getting the job done the right way. Like the Cooke S4, these lenses record metadata and are great for VFX work. Panavision C-Serieseval(ez_write_tag([[250,250],'4kshooters_net-banner-1','ezslot_0',145,'0','0'])); Originally released in 1968, the Panavision C-Series is an anamorphic set of lenses that are a favorite among DPs looking for a classic film look. 6708 NE 181st St. PO Box 82467 Kenmore, WA 98028 1-888-485-7447 sales@kcamera.com Unlike rehoused cinema zoom lenses in the market with serious focus breathing, this lens was designed for cinematography in the first place and the breathing is control to the minimal in its class. We offer high-end cinema cameras, cinema lenses, and a huge selection of professional camera accessories. As I have already mentioned, the 35mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. + Petzval 58mm T2.1 PL TLS-Rehoused Optical Structure. The customer can sell the existing glass for market value and have the price discounted with a brand new set of lenses supplied. This time, we’re talking about a lens rehousing company, called Iron Glass. It’s a good single lens for productions wanting to save money, and make reframing shots a breeze. We even try to help all our Cinescope customers by possible glass trade ins. The lens also has 11 aperture blades. Some vintage lenses can get old and weak. But it is full of glass, super heavy, can’t be used handheld, and isn’t suitable to smaller bodied cameras. Lenses can get broken too, especially if it has been dropped and damaged. Well, there are many reasons why you may want to rehouse a lens. eval(ez_write_tag([[250,250],'4kshooters_net-box-4','ezslot_6',144,'0','0'])); They comes in a standard set of 18mm, 25mm, 35mm, 50mm, 85mm with all of the lenses featuring a 80mm front diameter for super fast lenses changes; however, they’re not without their flaws. When the DP is looking to counteract the distortion of film or for capturing the maximum clarity with a digital sensor, this is where they turn. Perhaps the most famous Leica R rehouse project was known as the "Dalsa Cinema Primes," focal lengths of the Dalsa primes ranged from 19mm to 180mm, and only 11 complete sets were ever built. The best part is that through the lens customiser, you can get a set of up to eight custom lenses, so you’re always prepared for shooting.As for compatibility, in the accessories tab on their website, you will find adaptors for pretty much every system, from EF to PL, and ending up with the Ukrainian and Soviet mounts, as well as lens caps, adapter filter rings, and hard cases for any lens.Iron Glass is definitely worth checking out, especially if you’re a big fan of vintage lenses! They’re available in a large set of focal lens with a consistent 110m front diameter. insta: @robbiefattCOOKE SPEED PANCHROSThe average price for a cinema camera lens is over $10000 US Dollars, and that’s for one lens. (Watch our in-depth video story on their project which we shot at NAB last year). The Cine Helios 44-2 VLFV is a new lens from Iron Glass that rehouses the cult classic 58mm Helios swirly-bokeh vintage lens. Both the aperture and focus rings have been built with industry-standard 0.8 mod pitch gears for pairing up with follow-focus motors. You can find much cheaper solution at IronGlass. This new series is slightly different from the existing APS-C coverage lenses they already make. The True Lens Services rehousing is the most preferred as it offers a user-friendly, standardized, smooth focus motion. Mission: Our main goal with was to bring out the best in this lens but addressing the mechanical quirks and limitations of the …

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